by Jane Desmarais (Editor)
The tradition of Decadent writing in the 19th century remains a fascinating current in the evolution of modern literature. This new anthology brings together key texts from an international range of Decadent writings and writings about Decadence, many of them previously hard to find and some freshly translated from French, German, Italian, and - in a special section on ancient Roman antecedents - from Latin.
The selection of texts and extracts, more fully annotated than in other sources, includes key Decadent manifestos and declarations of principle by Th駮phile Gautier, Walter Pater and Oscar Wilde; poems by Charles Baudelaire, Arthur Symons and many others; extracts from prose fictions by J.-K. Huysmans, Aubrey Beardsley and others; critical denunciations, with more discerning responses to the challenge of Decadence; parodies by Max Beerbohm among others of Decadent attitudes and styles; and significant extracts from relevant ancient Roman writings by Petronius and Juvenal. The selection and explanatory notes combine to offer university students of literature and culture at all levels, along with teachers and lay enthusiasts, a rich resource for the understanding of Decadence as an elusive idea and as a literary tradition, in its complex evolution from the 1830s to the fin de si鐵le and beyond.Front Jacket
The tradition of Decadent writing in the 19th century remains a fascinating current in the evolution of modern literature. This new anthology brings together key texts from an international range of Decadent writings and writings about Decadence, many of them previously hard to find and some freshly translated from French, German, Italian, and - in a special section on ancient Roman antecedents - from Latin. The selection of texts and extracts, more fully annotated than in other sources, includes key Decadent manifestoes and declarations of principle by Th駮phile Gautier, Walter Pater and Oscar Wilde; poems by Charles Baudelaire, Arthur Symons and many others; extracts from prose fictions by J.-K. Huysmans, Aubrey Beardsley and others; critical denunciations, with more discerning responses to the challenge of Decadence; parodies by Max Beerbohm among others of Decadent attitudes and styles; and significant extracts from relevant ancient Roman writings by Petronius and Juvenal. The selection and explanatory notes combine to offer university students of literature and culture at all levels, along with teachers and lay enthusiasts, a rich resource for the understanding of Decadence as an elusive idea and as a literary tradition, in its complex evolution from the 1830s to the fin de si鐵le and beyond.
Back Jacket
The tradition of Decadent writing in the 19th century remains a fascinating current in the evolution of modern literature. This new anthology brings together key texts from an international range of Decadent writings and writings about Decadence, many of them previously hard to find and some freshly translated from French, German, Italian, and - in a special section on ancient Roman antecedents - from Latin.
The selection of texts and extracts, more fully annotated than in other sources, includes key Decadent manifestoes and declarations of principle by Th駮phile Gautier, Walter Pater and Oscar Wilde; poems by Charles Baudelaire, Arthur Symons and many others; extracts from prose fictions by J.-K. Huysmans, Aubrey Beardsley and others; critical denunciations, with more discerning responses to the challenge of Decadence; parodies by Max Beerbohm among others of Decadent attitudes and styles; and significant extracts from relevant ancient Roman writings by Petronius and Juvenal. The selection and explanatory notes combine to offer university students of literature and culture at all levels, along with teachers and lay enthusiasts, a rich resource for the understanding of Decadence as an elusive idea and as a literary tradition, in its complex evolution from the 1830s to the fin de si鐵le and beyond.Author Biography
Jane Desmarais is Lecturer in English and Art History at Goldsmiths, University of London. Chris Baldick is Professor of English at Goldsmiths, University of London.