{"product_id":"globalization-and-contemporary-art-paperback","title":"Globalization and Contemporary Art - Paperback","description":"\u003cp\u003eby \u003cb\u003eJonathan Harris\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eIn a series of newly commissioned essays by both established and emerging scholars, \u003ci\u003eGlobalization and Contemporary Art\u003c\/i\u003e probes the effects of internationalist culture and politics on art across a variety of media. \u003ci\u003eGlobalization and Contemporary Art\u003c\/i\u003e is the first anthology to consider the role and impact of art and artist in an increasingly borderless world.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eFirst major anthology of essays concerned with the impact of globalization on contemporary art\u003c\/li\u003e \u003cli\u003eExtensive bibliography and a full index designed to enable the reader to broaden knowledge of art and its relationship to globalization\u003c\/li\u003e \u003cli\u003eUnique analysis of the contemporary art market and its operation in a globalized economy\u003c\/li\u003e \u003c\/ul\u003e\u003ch3\u003eFront Jacket\u003c\/h3\u003e\u003cp\u003e\u003ci\u003eGlobalization and Contemporary Art\u003c\/i\u003e is an unprecedented collection of essays that charts the intersection of art and globalization since the 1980s. The volume provides an authoritative, accessible, comprehensive, and challenging account of the impact of globalization upon contemporary visual art and its socio-cultural spheres of production, circulation, and consumption.\u003cbr\u003e \u003cbr\u003e \u003c\/p\u003e\u003cp\u003eRichly illustrated, this anthology showcases 33 essays from all corners of the world by well-known authors such as W.J.T. Mitchell, Rasheed Araeen, and James Elkins, as well as emerging scholars in art history\/theory, visual and museum studies. The collection is deliberately wide-ranging, embracing the subject in all its fullness, diversity and unruliness - from case-studies of artists and artworks to meditations on broader thematic, conceptual, and historiographical topics.\u003c\/p\u003e \u003cp\u003eTackling the subject through a variety of useful analytics - forms and formations, institutions, the production of meaning, identifications, and reproduction - \u003ci\u003eGlobalization and Contemporary Art\u003c\/i\u003e challenges the status of art history as the dominant discipline able to recognize and account for developments in visual art and art worlds since the 1980s. Collectively, this set of essays suggests how and why such a necessary re-conceptualization should take place and with what consequences. This is illuminating reading for all students and scholars of art history, visual culture, cultural studies, cultural policy and globalization studies.\u003c\/p\u003e\u003ch3\u003eBack Jacket\u003c\/h3\u003e\u003cp\u003e\u003ci\u003eGlobalization and Contemporary Art\u003c\/i\u003e is an unprecedented collection of essays that charts the intersection of art and globalization since the 1980s. The volume provides an authoritative, accessible, comprehensive, and challenging account of the impact of globalization upon contemporary visual art and its socio-cultural spheres of production, circulation, and consumption.\u003cbr\u003e \u003cbr\u003e \u003c\/p\u003e\u003cp\u003eRichly illustrated, this anthology showcases 33 essays from all corners of the world by well-known authors such as W.J.T. Mitchell, Rasheed Araeen, and James Elkins, as well as emerging scholars in art history\/theory, visual and museum studies. The collection is deliberately wide-ranging, embracing the subject in all its fullness, diversity and unruliness - from case-studies of artists and artworks to meditations on broader thematic, conceptual, and historiographical topics.\u003c\/p\u003e \u003cp\u003eTackling the subject through a variety of useful analytics - forms and formations, institutions, the production of meaning, identifications, and reproduction - \u003ci\u003eGlobalization and Contemporary Art\u003c\/i\u003e challenges the status of art history as the dominant discipline able to recognize and account for developments in visual art and \"art worlds\" since the 1980s. Collectively, this set of essays suggests how and why such a necessary re-conceptualization should take place and with what consequences. This is illuminating reading for all students and scholars of art history, visual culture, cultural studies, cultural policy and globalization studies.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eJonathan Harris\u003c\/b\u003e is Professor of Global Art \u0026amp; Design Studies for the Winchester School of Art at the University of Southampton. He has published widely on contemporary art history and theory, and is a successful textbook author. His works include \u003ci\u003eThe New Art History: A Critical Introduction\u003c\/i\u003e (2001) and \u003ci\u003eArt History: The Key Concepts\u003c\/i\u003e (2006).\u003c\/p\u003e\u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 560\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 1 x 9.5 x 7.4 IN\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e May 02, 2011\u003c\/div\u003e","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":42718337007679,"sku":"9781405179508","price":114.37,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0105\/8226\/1823\/files\/a8d960bc78835edc4160d720e96ac662.webp?v=1765081558","url":"https:\/\/dhlswag.com\/products\/globalization-and-contemporary-art-paperback","provider":"BBB","version":"1.0","type":"link"}