by Michael Brown (Editor), Anna Maria Barry (Editor), Joanne Begiato (Editor)
This collection explores the role of martial masculinities in shaping nineteenth-century British culture and society.
Front Jacket
This collection explores the role of military masculinity in shaping nineteenth-century British culture and society. It covers a period that was framed by two of the greatest wars the world had ever known, and punctuated by many smaller conflicts. Bringing together contributions from a diverse range of leading scholars, it offers fresh, interdisciplinary perspectives on an emerging field of study. The chapters draw upon historical, literary, visual and musical sources to demonstrate the centrality of the military and its masculine dimensions in the shaping of Victorian and Edwardian personal and national identities. Focusing on both the experience of military service and its imaginative forms, it examines such topics as bodies and habits, families and domesticity, heroism and chivalry, religion and militarism, and youth and fantasy. Reflecting the two principle areas of investigation for scholars working in the field, the book is divided into two sections: 'experiencing' and 'imagining' military masculinities. The section on experience considers the realities of military life in this period, and asks to what extent they produced a particular kind of gendered identity. The second section moves on to explore the wider impact of martial masculinities on culture and society, asking whether nineteenth-century Britain can be regarded as a warrior nation. These two sections ultimately demonstrate that the reception, representation and replication of masculine values in Britain during this period were far more complex than might be assumed. This collection will be required reading for anyone interested in the cultures of war and masculinity in the long nineteenth century.
Back Jacket
This collection explores the role of military masculinity in shaping nineteenth-century British culture and society. It covers a period that was framed by two of the greatest wars the world had ever known, and punctuated by many smaller conflicts. Bringing together contributions from a diverse range of leading scholars, it offers fresh, interdisciplinary perspectives on an emerging field of study. The chapters draw upon historical, literary, visual and musical sources to demonstrate the centrality of the military and its masculine dimensions in the shaping of Victorian and Edwardian personal and national identities. Focusing on both the experience of military service and its imaginative forms, it examines such topics as bodies and habits, families and domesticity, heroism and chivalry, religion and militarism, and youth and fantasy.
Reflecting the two principle areas of investigation for scholars working in the field, the book is divided into two sections: 'experiencing' and 'imagining' military masculinities. The section on experience considers the realities of military life in this period, and asks to what extent they produced a particular kind of gendered identity. The second section moves on to explore the wider impact of martial masculinities on culture and society, asking whether nineteenth-century Britain can be regarded as a warrior nation. These two sections ultimately demonstrate that the reception, representation and replication of masculine values in Britain during this period were far more complex than might be assumed. This collection will be required reading for anyone interested in the cultures of war and masculinity in the long nineteenth century.Author Biography
Michael Brown is Reader in History at the University of Roehampton
Anna Maria Barry is a Research Assistant at the Royal College of Music Museum Joanne Begiato is Professor of History at Oxford Brookes University