by Rebecca Schneider (Author), Margherita Laera (Editor), Natalie Alvarez (Editor)
This provocative book meets the supposedly 'live' practices of performance and the 'no-longer-live' historical past at their own dangerous crossroads. Focussing on the 'and' of the title, it addresses the tangled relations between the terms, practices, ideas, and aims embedded in these compatriot - but often oppositional - arts and acts of time.
Author Biography
Rebecca Schneider is Professor of Theatre Arts and Performance Studies at Brown University, USA. She is the author of The Explicit Body in Performance and Performing Remains: Art and War in Times of Theatrical Reenactment, as well as numerous essays. She is the Consortium Editor for The Drama Review: A Journal of Performance Studies, edited by Richard Schechner, and is co-editor with David Krasner of the book series Theater: Theory/Text/Performance.
Rebecca Schneider is Professor of Theatre Arts and Performance Studies at Brown University, USA. She is the author of The Explicit Body in Performance and Performing Remains: Art and War in Times of Theatrical Reenactment, as well as numerous essays. She is the Consortium Editor for The Drama Review: A Journal of Performance Studies, edited by Richard Schechner, and is co-editor with David Krasner of the book series Theater: Theory/Text/Performance.